Loree Ovens

Farbe
    4. Gratitude, 2021, acrylic, graphite, ink and konnyaku on heritage washi (Fukunishi Udagami)

    Loree Ovens

    Normaler Preis $750.00
    /

    Gratitude, 2021, acrylic, graphite, ink and konnyaku on heritage washi (Fukunishi Udagami)

    approx 18”h x 12 5/8”w, framed 24”h x 18”w

    Click here to view more work by this artist.

    Einkaufswagen
    Resilience, 2021, acrylic, graphite, ink and konnyaku on heritage washi (Fukunishi Udagami),

    Loree Ovens

    Normaler Preis $750.00
    /

    Resilience, 2021, acrylic, graphite, ink and konnyaku on heritage washi (Fukunishi Udagami),

    approx 18”h x 12 5/8”w, framed 24”h x 18”w

    Click here to view more work by this artist.

    Einkaufswagen
    Topography 5, 2021, acrylic, ink and konnyaku on heritage washi (Fukunishi Udagami)

    Loree Ovens

    Normaler Preis $750.00
    /
    Topography 5, 2021, acrylic, ink and konnyaku on heritage washi (Fukunishi Udagami)

    approx 18”h x 12.75 ”w, framed 24”h x 18”w
    Einkaufswagen
    Topography 4

    Loree Ovens

    Normaler Preis $750.00
    /
    Topography 4, 2021, acrylic, ink and konnyaku on heritage washi (Fukunishi Udagami)
    approx 18"h x 12.75"w, framed 24"h x 18"w
    Click here to view more work by this artist.
    Einkaufswagen

    Loree Ovens studied Fashion Technique and Design at Holland College. She also received an arts diploma at Sheridan College, SOCAD, majoring in fabrics and earned a BFA in Printmaking from OCADU. Loree works in a variety of media, although is better known for her printmaking where she creates works on paper that are reminiscent of old documents, aged textiles or barkcloth. She specializes in intaglio techniques; especially etching, aquatint, drypoint and collagraph. Primarily working with Japanese Washi and often combining the use of surface design techniques for textiles, Loree’s fascination with line, pattern, and architecture continues to inspire her work. She has shown in national and international exhibitions in Canada, Japan, United States, Taiwan, Australia and Scotland. Her work is part of both private and public collections including the Department of Foreign Affairs and International Trade Canada, National Bank, Art Gallery of New South Wales, and SGC International.

    “I had the urgent feeling to be surrounded/held in nature throughout the pandemic.
    I needed to be grounded and recharge. So l took time to slow down, to be silent and still.
    I took the time to really look at my surroundings and focus on the positive.
    Slowly, these paintings emerged.”