When I start with a bucket of porcelain slip, it can take on any shape. The slip is cast into moulds I make from plaster and are in the shape of smooth bowls. I choose to set up a dynamic where the vessels move, warp, fragment and collapse, reflecting aspects of life. I look for ways to support them, accompany them, as they change in response to the stress they embody. Was the support I gave it too much, not allowing it to move as it needed to? Was the support flexible enough to let this new stage in the development of the piece become its best self? Some pots, like people, are easy to love. Others are harder to engage with and I make a conscious choice to work with them trying to see the beauty within. Then the long journey of layering slips and glazes over many subsequent firings is next.