Metal

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Table Talk. A bronze figure of a woman in sunglasses sits in a tall chair, in dialogue with her small dog. Her left foot lifts away from her high heel in an active pose. Notable also are the lace details in the hem and straps of her red dress. 1 of 1.

Erin Robertson

$1,800.00

Erin Robertson

$1,800.00

Table Talk. A bronze figure of a woman in sunglasses sitting in a tall chair, in dialogue with her small dog. Her left foot lifts away from her high heel in an active pose. Notable also are the lace details in the hem and straps of her red dress. 1 of 1.

10" x 6" x 4"

Kye-Yeon Son

$3,600.00

Kye-Yeon Son Innatus Forma 2019-1. Steel, rust. Detail.

Kye-Yeon Son

$3,600.00

Innatus Forma 2019-1. Steel, rust. Dozens of long, thin segments connect to form a cohesive whole with a hollow center.

40h x 8.5 x 6 cm

Kye-Yeon Son

$8,000.00

Kye-Yeon Son Innate Gesture 2021-1. Steel, powdercoating, rust, wax, micro welding. Detail.

Kye-Yeon Son

$8,000.00

Innate Gesture 2021-1. Steel, powdercoating, rust, wax, micro welding.

18w x 18d x 37h cm

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Kai Chan

$1,200.00

Green Valley - "Living in a city, this is a mind-landscape rather than inspired from nature."

Kai Chan

$1,200.00

Green Valley - Multicoloured wire sculpture that can be hung in multiple ways. It does not entirely lie flat but rather lifts from the wall like a living organism.

"Living in a city, this is a mind-landscape rather than inspired from nature."

39 x 36 x 11 cm, green and copper wire. 2022.

Pattern 3 (petals and bloom), 2022. Wall sculpture made from plasma-cut steel.

Anna Frlan

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Anna Frlan

$2,000.00

Pattern 3 (petals and bloom), 2022. Sculpture made from plasma-cut steel. This wall-mounted piece hangs about 2.5" from the wall, allowing stunning shadows to take shape behind the intricate steel patterns.

61 x 61 cm

Patterns abound in nature, from water rippling around river rocks, to a spiraling tree emerging from an acorn. Fractals determine many of these complex patterns and can also inform innovative design in the constructed environment. I use a manufactured medium, steel, to explore these intrinsic building blocks. My Pattern series is an exploration of what happens when two patterns intersect. Will one eclipse the other, or will they comingle and create a new pattern?

My works are drawings on steel. Instead of using a pencil, I plasma-cut the lines with a handheld torch. Negative space drops away, leaving an intricate pattern of lines. It is important that the steel is transformed, becoming light and delicate, in contrast to its industrial roots.

Pattern 2 (two spider webs), 2022. Wall sculpture made from plasma-cut steel.

Anna Frlan

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Anna Frlan

$2,000.00

Pattern 2 (two spider webs), 2022. Sculpture made from plasma-cut steel. This wall-mounted piece hangs about 2.5" from the wall, allowing stunning shadows to take shape behind the intricate steel patterns.

61 x 61 cm

Patterns abound in nature, from water rippling around river rocks, to a spiraling tree emerging from an acorn. Fractals determine many of these complex patterns and can also inform innovative design in the constructed environment. I use a manufactured medium, steel, to explore these intrinsic building blocks. My Pattern series is an exploration of what happens when two patterns intersect. Will one eclipse the other, or will they comingle and create a new pattern?

My works are drawings on steel. Instead of using a pencil, I plasma-cut the lines with a handheld torch. Negative space drops away, leaving an intricate pattern of lines. It is important that the steel is transformed, becoming light and delicate, in contrast to its industrial roots.

Pattern 1 (shell and water), 2022. Wall sculpture made from plasma-cut steel.

Anna Frlan

Click here to see more from this artist

Anna Frlan

$2,000.00

Pattern 1 (shell and water), 2022. Sculpture made from plasma-cut steel. This wall-mounted piece hangs about 2.5" from the wall, allowing stunning shadows to take shape behind the intricate steel patterns.

61 x 61 cm

Patterns abound in nature, from water rippling around river rocks, to a spiraling tree emerging from an acorn. Fractals determine many of these complex patterns and can also inform innovative design in the constructed environment. I use a manufactured medium, steel, to explore these intrinsic building blocks. My Pattern series is an exploration of what happens when two patterns intersect. Will one eclipse the other, or will they comingle and create a new pattern?

My works are drawings on steel. Instead of using a pencil, I plasma-cut the lines with a handheld torch. Negative space drops away, leaving an intricate pattern of lines. It is important that the steel is transformed, becoming light and delicate, in contrast to its industrial roots.

"Inner Space" - This intelocking multi-cube line sculpture in copper with a white resin "egg" has various resting positions. Both a wall and table-top sculpture, this delicate and enigmatic work measures 14 x 19 x 29 cm.

Vivienne Jones

$650.00

Vivienne Jones

$650.00

"Inner Space" - This intelocking multi-cube line sculpture in copper with a white resin "egg" has various resting positions. Both a wall and table-top sculpture, this delicate and enigmatic work measures 14 x 19 x 29 cm.

"Getting Here" - Brass cubic sculpture with a sterling silver ladder rising up from a single attachment point. This precious small sculpture is well anchored on a weighty solid brass base.

Vivienne Jones

$900.00

Vivienne Jones

$900.00

"Getting Here" - Brass cubic sculpture with a sterling silver ladder rising up from a single attachment point. This precious small sculpture is well anchored on a weighty solid brass base.

14 x 12 x 12 cm.

Vivienne Jones

$400.00

Vivienne Jones

$400.00

"About Time". A wall sculpture of copper and repurposed metals with resin elements that is suggestively wound, bound and loosely flowing. While it naturally assumes a vertical position, it can hang in various positions. 44 x 16 x 5 cm.

Sanctuary, cast bronze and ceramic flowers and foliage with 200-year old reclaimed local wood A life-sized bronze fox curls up in repose encircled by a ring of ceramic flowers interwoven with thorns. The wooden pedestal is from 200-year old wood salvaged from homes being remodelled in the artist's neighbourhood. This work hovers between a celebration and acknowledgement of the fragility and grounding nature of home and also a memento mori.

Anna Williams

from $11,500.00

Anna Williams

$11,500.00

Sanctuary, cast bronze and ceramic flowers and foliage with 100-year old reclaimed local wood

A life-sized bronze fox curls up in repose encircled by a ring of ceramic flowers interwoven with thorns. The wooden pedestal is from 100-year old wood salvaged from homes being remodelled in the artist's neighbourhood. This work hovers between a celebration and acknowledgement of the fragility and grounding nature of home and also a memento mori.

The bronze fox can be purchased separately for $11,500.

Anna Williams

$2,400.00

Anna Williams

$2,400.00

Capsized, cast bronze, resin milkweed pods and a re-purposed local lath wood base, 14.5 x 17 x 9". Edition of 3.

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Anna Williams

$1,500.00

Leaden, a nest cast in lead on a free-floating lath shelf. Series of 10 nests, each sold separately. "A year in paces, a morning ritual of walking has led me to collect numerous bird nests from the thickets along Ottawa’s waterways. In this piece, I have cast each nest in lead salvaged from the torn out ironwork of Parliament Hill— an act of preservation at the perceived fragility of a tiny sanctuary and an exploration of the weighted concept of home and domesticity."

Anna Williams

$1,500.00

Leaden, a nest cast in lead on a free-floating lath shelf. Series of 10 nests, each sold separately.

"A year in paces, a morning ritual of walking has led me to collect numerous bird nests from the thickets along Ottawa’s waterways. In this piece, I have cast each nest in lead salvaged from the torn out ironwork of Parliament Hill— an act of preservation at the perceived fragility of a tiny sanctuary and an exploration of the weighted concept of home and domesticity."

Le Guerrier, found metal sculpture, 2020

Mustapha Chadid

$560.00

Mustapha Chadid

$560.00

Le Guerrier, found metal sculpture, 2020

16 x 20 x 8" approx.

Mustapha Chadid

$1,200.00

Mustapha Chadid

$1,200.00

Catamaran 16, found metal sculpture. 2022

19" x 8" x 31"

Continuity - "The unbroken and consistent existence." A copper vessel rests atop a sterling silver stand on a wenge wood base.

Kaitlyn Derrah

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Kaitlyn Derrah

$2,000.00

Continuity - "The unbroken and consistent existence." A copper vessel rests atop a sterling silver stand on a wenge wood base.

6”x8”x6”

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Tensegrity - A kinetic, collapsible, sculpture of sterling silver, with sapphires.

Kaitlyn Derrah

$3,000.00

Kaitlyn Derrah

$3,000.00

Tensegrity - A sculpture of sterling silver, with sapphires held together through a floating compression technique to maintain tensional integrity.

6”x10”

Tensegrity is a design principle that applies when a discontinuous set of compression elements is opposed and balanced by a continuous tensile force, thereby creating an internal prestress that stabilizes the entire structure.

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Journey of Balance - Sculpture utilizing copper, cherrywood, magnets, Cu(NO3)2 patina.

Kaitlyn Derrah

$1,500.00

Kaitlyn Derrah

$1,500.00

Journey of Balance - A copper vessel with a cherrywood base, held in place with magnets, 11”x5”x4”.

This piece unearths forgotten and unfinished projects from the past and breathes fresh life into a new object that represents the multiple stages of my career as an artist.

The base of this piece is made from cherrywood representing her roots as a carpenter, something that she has been passionate about for many years. The feather component is the first metal item she created with the use of construction materials: copper roofing sheet, stripped electrical wire, and plumbing solder. This feather was created long before the change in her career that would lead her to metal, representing an additional medium that has been added to her toolbox. The flowing wire structure is made from recycled electrical wire and represents the old flowing into the new, like a current sparking life and inspiration. The raised copper bowl, embellished with a blue/green patina emphasizes the balance of the choices she has made, her ability to adapt and change, and her growth as a maker.

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Rayce Min

$1,000.00

Rayce Min

$1,000.00

Title: Adulthood

Materials: Copper, silver

Technique: Deep draw forming, raising, forging, fabrication

Dimensions: 29 x 8 x 15 cm

Date: April 2022

Artwork Statement: The teapot was created to commemorate my transition from the mindset of a high school teenager to an adult mindset (more or less). I started to work, started to care about things and people, started to face superiors at work, had weird relationships with others, etc. All of them were stressing me out, and it felt like all of them fused into a giant blob that was sitting on me. And yet I was still trying to find a way out, which led to the overall form of the teapot. The main material is copper with a little bit of silver for the stitches. The body was made with deep draw forming, and forcefully crushed with the hydraulic press. The lid is a raised ball-shaped blob, with hand-cut cracks and solder patterning as decoration. The texture on the lid was made with a wood file. The spouts are bent tubes soldered together to create a branch look, and the handle was forged from a copper rod, creating anorganic look.

Artist Bio: Rayce Min has been interested in crafting and expanding his artistic skills since high school. His primary experience with jewellery was the steam punk style jewellery he made for the school fair. Even though they were pre-made pieces glued together, he impressed people with his unique aesthetic toward jewellery, which he decided to develop further when he got into college. Real jewellery making and metalsmithing led him to a whole different understanding of jewellery, and metal became his favorite media. He appreciates how tough yet flexible the metals are. There are tons of different things he can do with metal. He is developing his jewellery/metalsmithing skills to incorporate his love of graffiti, especially the concept of leaving marks everywhere. Now he can leave marks on people, instead of just plain walls. Overall, he has been working toward the approach for a few years now, and he is still improving himself at NSCAD University.