L.A. Pai Gallery

Celebrate is a black rhodium plated sterling silver ring featuring, topaz and rhodolite garnet. Size 7

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Magnolia mini stud earrings in oxidized sterling silver with a 22 karat gold keumboo application, 

Large: 2.5 x 1.5 cm

Small: 1.5 x 2 cm

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Hand fabricated Laika Signet ring in neon yellow acrylic, black opal, cubic zirconia, and sterling silver. 

Size 6.5

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Brooch from the Candy Coated Recollection series made from sterling silver, blue topaz, plastic, resin, patina and steel. 6.5 x 5 x 3.5 cm  

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Rhodochrosite Necklace made from tinted concrete, sterling silver, rhodochrosite, flocking, paracord

63 mm x 55 mm x 18 mm. 66 cm cord

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Relief from Home Square Hoops Earrings made from steel, patina, varnish and sterling silver.

6 x 6 x 0.1 cm

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Blue Spike Pod earrings made from raffia, nylon and sterling silver

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Absent Necklace is made from sterling silver, polymer clay and plastic

9 cm x 5 cm x 5.5 mm 

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This colourful ring pendant comes a collaborative series completed by artists Catherine Granche and Karine Rodrigue. Created as an exploratory project, this piece reflects a multi purpose piece of jewellery as they can be worn as a pendant as well as a ring based upon the wearers preference. The pendant ring is made from porcelain, copper, paraloid and enamel paint, strung by cotton or synthetic thread. 

Orange Bubble Bracelet, made from concrete, glass beads, sterling silver, flocking

Large - 75mm x 92 mm x 18 mm

Small - 82 mm x 90 mm x 15 mm

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Bague Big child ring with sterling silver, iolites and pink spinels 

Size 5.5

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Brooch from the Rococo series, sterling silver, copper and enamel.

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Hear No Evil brooch. Ink transfer on wood, paint, resin, sterling silver, oxidized brass, tourmaline, labradorite, apatite, moon stone and freshwater pearls.

9.8 x 6.8 x 1.5cm

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Damka and Krasavka earrings are hand fabricated sterling silver chain mail set with hand-carved translucent yellow-green and orange-pink plexi glass bullets.  Amidst the plexi stones are set 2 citrine stones. Utterly unique, these earrings are light to wear at 3 x 2 cm.

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Résilience 

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Found Objects Series I Necklace, with aquamarine and aragonite set in sterling silver on strands of wool.

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Caterpillar Necklace with glass beads, and thread.

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Bouquet Brooch made of copper, powder coat, gold leaf and stainless steel 

9 x 5.5 x 9 cm 

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How We Are, necklace made from linen, oxidized sterling silver freshwater pearls and magnets 

30 x 1.5"

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Wanderlust, Necklace with Maple wood, moonstone, sterling silver on cotton thread.  10 x 4.8 x 2.3 cm 

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Raven, painted woodcut block

11” x 11” x 1.5" deep

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From the Lake and Land series, a small stone and glass vase

4 x 2.75"

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Fox Lore sculpture made from painted mixed paper media

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Bouquet bowl made with the nerikomi ceramic technique. 

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From the Lake and Land series, a wall mounted piece with recycled window glass and rock, fixed to stainless steel. 

12 x 30"

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 Migration Scroll, 2018 based on the Anishinaabe birch bark scrolls, but upcycled to a digital technological tableaux.  Mixed media, 8 × 20 × 5 in

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Queen of the Night Aria mug.  

A series of work that celebrates how the music and history of stage productions of Mozart’s The Magic Flute transcends the story of the opera itself.

The music of the Queen of the Night transcends the fate of her character in the Magic Flute. While the Queen of the Night is ultimately vanquished, with Tamino and Pamina triumphantly joining Sarastro, her music remains powerful and indomitable.

Papageno plays his pipes to enchant the birds. The golden birds represent the bells given to him by the Queen of the Night.

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Hare, this new animal portrait captures the hare in alert repose. Oil on canvas, 128 x 20 cm.

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In Three Minutes. Small-scale porcelain figure, under glaze painted and glazed, 8 x 10 x 5 cm.  From the 2016 solo exhibition series Match at public gallery Art-image in Gatineau (awarded the Prix du CALQ – Œuvre de l’année en Outaouais – Work of the Year in the Outaouais), and recently exhibited in the solo public exhibition Source et ressource at the Centre D’Art Rotary in La Sarre, Quebec from Nov 2019 to Feb 2020.

A visual exploration of the manifestation of the boxing sport as transformative of the human figure, the artist allowed the town of Buckingham’s emotional investment in their boxing hero Gaétan Hart to become the central theme. 

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Otus and Ephialtes, 2019. Linocut 16 x 22 in, edition of 4, printed on Arnhem 1618.
Excerpt “Otus and Ephialtes” by Anna Williams
Breaths catch
Blood pools
The brothers are consumed with a new hunger.
Practiced predators,
They split and flank.
Aim and launch.
From either side of the glade
The sing of spears cleaves the silence
Artemis leaps.
Reflected horror glints on polished blade
A mirrored death.

Printed on the artist's ingenious home-made printing press (made of a car jack, melamine and oak). Created for her upcoming solo exhibition Untold Stories I once Wished Lost at the Karsh-Masson Gallery (re-scheduled for 2021).

Red-eyed Vireo Mug  Deftly-rendered painting of a sprightly little fellow.  Fully functional at  10 x 8 x 10 cm.

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Black Tulip This whimsical painting is in acrylic, oil, charcoal and pencil on canvas.  / 20" x 16".

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Two But Not Two I, 2020, handbuilt ceramic wall sculpture, 13 x 9 x 8 inches. 
Multi-fired stoneware finished with underglazes and glazes.

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Red Winged Blackbirds Wreath.  This mixed-media ceramic sculpture measures 12
x 70 x 60 cm and can be installed on the wall or placed flat.
Six porcelain birds have been painted with underglazes and glazes and have wings of wood, cattails, seed pods.
This series initially developed for a solo 2016 Craft Ontario exhibition When Horses Walked on Water in Toronto.
The series explores nature and industrial development through bird imagery. Birds were native and abundant to the area before urban development and are a reflection on the environment before extensive human habitation and manipulation.

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Wintersleep is a morning glimpse of the river in front of the artist's home studio that reflects magnificently the opposite shore. An  oil on canvas, 66 h x 48"w.

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Buffalo, mixed media small scale collage-based artwork with computer part beading 2019. 

As our digital age exponentially transforms and infuses Anishinaabeg culture (and other global cultures) with new technologies and new ways of communicating, we are harnessing and bridging the precipice between historical and contemporary knowledge, art and power, while maintaining a distinct Anishinaabeg aesthetic connecting generations. Barry Ace

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Thunderbird and Shaman (2020), Epson Archival Canvas, beads, wood, metal, thread, hide, approx. 12 x 13".

From the artist's Memory Landscape diptych series.  The Thunderbird is beaded above a pictograph of a Shaman figure from Lake Matagamasi located in the Sudbury District.  Ace took the photograph in the 1980s while on a canoe trip through the lake.

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A sophisticated pattern at play in this small and functional porcelain vessel made with the nerikomi  technique. 15 x 7 cm.

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Blue Canyon by Paula Murray is a multi-fired porcelain vessel with monumental presence. Its carefully controlled rifts and cracks are visible from afar as well as up close, 8 x 9.5 x 9.5".

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This print is a part of McIntyre's series, Familiar, a tale about a nervous witch who goes on an adventure as told in an analogue Instagram feed. All the prints in the series are unique 1/1 editions.

Print 11: The intense disappearing into remembering was beginning to make the witch feel weird.

“Move.” said the witch's body.

The witch put her cards down and stood up.

The light was starting to change.

It was twilight.

The clouds shimmered silver and gold in the setting sun.

The witch walked along the edge of her beloved forest.

“Everything okey dokey?” asked the ginormous disembodied clown face.

Cut paper printing, stencil printing monoprint, gouache, gold and silver leaf, chine collé

12 x 12 inches

2019

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Grimmly Waiting

Woven paper sculptures in custom white shadow box

26.5 x 2.5 x 19.5 inches

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