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An Untamed Bond, Part 2 of 5 of The Allegory of Atalanta, linocut, 2020. Edition of 6, printed on Arnhem 1618, 16 x 22 inches. When Atalanta was born, her father had hoped for a boy and so he left her on a mountainside to die of exposure as was the practice with unwanted girls or disabled children. Artemis, in the form of a shebear, found her and suckled her. She was raised as one of Artemis’ huntresses.

An Untamed Bond, Part 2 of 5 of The Allegory of Atalanta, linocut, 2020. Edition of 6, printed on Arnhem 1618, 16 x 22 inches. When Atalanta was born, her father had hoped for a boy and so he left her on a mountainside to die of exposure as was the practice with unwanted girls or disabled children. Artemis, in the form of a shebear, found her and suckled her. She was raised as one of Artemis’ huntresses.

Anna Williams

$850.00

An Untamed Bond, Part 2 of 5 of The Allegory of Atalanta, linocut, 2020. Edition of 6, printed on Arnhem 1618, 16 x 22 inches.

When Atalanta was born, her father had hoped for a boy and so he left her on a mountainside to die of exposure as was the practice with unwanted girls or disabled children. Artemis, in the form of a shebear, found her and suckled her. She was raised as one of Artemis’ huntresses.

Printed on the artist's ingenious home-made printing press (made of a car jack, melamine and oak).

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Waterlessness, digital print on archival somerset by Michael Belmore.

Michael Belmore

Waterlessness, digital print on archival somerset by Michael Belmore.

Michael Belmore

$2,150.00

Waterlessness, digital print on archival somerset.

27 x 20.5"

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Maria Moldovan

$200.00

Moonlight - oil on canvas painting.

5 inches x 5 inches

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Papillon de Nuit Oil on canvas 36 x 36"

Papillon de Nuit Oil on canvas 36 x 36"

Erin Robertson

$2,600.00

Papillon de Nuit - Moth.

Oil on canvas

36 x 36"

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Chrome & City. Woven paper sculpture in a custom white shadow box. 20 x 20"

Chrome & City. Woven paper sculpture in a custom white shadow box. 20 x 20"

Chrome & City. Woven paper sculpture in a custom white shadow box. 20 x 20"

Chrome & City. Woven paper sculpture in a custom white shadow box. 20 x 20"

Chrome & City. Woven paper sculpture in a custom white shadow box. 20 x 20"

I-Chun Jenkins

$1,600.00

Chromaticity. Hand cut and hand woven paper sculpture in a custom white shadow box. 20 x 20"

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Loose Ends. Woven paper sculpture in a custom white shadow box. 9 x 16"

Loose Ends. Woven paper sculpture in a custom white shadow box. 9 x 16"

Loose Ends. Woven paper sculpture in a custom white shadow box. 9 x 16"

Loose Ends. Woven paper sculpture in a custom white shadow box. 9 x 16"

Loose Ends. Woven paper sculpture in a custom white shadow box. 9 x 16"

I-Chun Jenkins

$970.00

Loose Ends. Woven paper sculpture in a custom white shadow box. 9 x 16"

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One Spade. Woven paper sculpture in a custom white shadow box. 9 x 16"

One Spade. Woven paper sculpture in a custom white shadow box. 9 x 16"

One Spade. Woven paper sculpture in a custom white shadow box. 9 x 16"

One Spade. Woven paper sculpture in a custom white shadow box. 9 x 16"

One Spade. Woven paper sculpture in a custom white shadow box. 9 x 16"

I-Chun Jenkins

$970.00

One Spade. Woven paper sculpture in a custom white shadow box. 9 x 16"

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Francis Densmore and Maheengun (Little Wolf) (2020) mixed media on paper 23 x 9.5 cm, unframed.

Francis Densmore and Maheengun (Little Wolf) (2020) mixed media on paper 23 x 9.5 cm, unframed.

Barry Ace

$450.00

Francis Densmore and Maheengun (Little Wolf) (2020) mixed media on paper 23 x 9.5 cm, unframed.

Frances Theresa Densmore (1867 – 1957) was an American anthropologist and ethnographer who was known for her studies of Native american music and culture.

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Thunderbird artwork by Barry Ace

Thunderbird artwork by Barry Ace

Thunderbird artwork by Barry Ace

Barry Ace

$2,200.00

The work is printed on archival Epson Canvas with a simulated birch bark background digitally added from a birchbark scan. The work references Anishinaabe birchbark scrolls that are etched iconography stitched together with spruce root.

Bnesi (Thunderbird) and Mishibijw (Water Panther) (2020) digital output on archival canvas, glass beads, thread, hide, metal, wood. The photographs and taken on Manitoulin Island. The birch bark references Anishinaabe scrolls and the Thunderbird is a sacred bird symbolizing protection.

The Mishibijiw (Water Panther) is a water being who controls water - the waves are visible on its back.

This work is available as a diptych or as individual works.

Diptych dimensions: 81 x 38 cm.

As individual works:

Bnesi (Thunderbird) (2020) digital output on archival canvas, glass beads, thread, hide, metal, wood. 41 x 19 cm

Mishibijw (Water Panther) (2020) digital output on archival canvas, glass beads, thread, hide, metal, wood. 41 x 19 cm

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Barry Ace

$2,000.00

Kitchi Zibi Omàmìwininì Anishinàbe

Digital print on rag paper

This photograph was taken by Ace in 2013 of the controversial Hamilton MacCarthy sculpture of the Indigenous scout that was relocated to Major's Hill Park from its original location as part of the Champlain Monument situated on Nepean Point directly behind the National Gallery of Canada. In the background is Iluliaq (Iceberg) by Greenlandic artist Inuk Silis Høegh looming in the background, and it is artfully framed by Ottawa's Central Art Garage.

21 × 34 in

Editions 1, 2 of 2

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Otus and Ephialtes, 2019. Linocut 16 x 22 in, edition of 4, printed on Arnhem 1618. Excerpt “Otus and Ephialtes” by Anna Williams

Otus and Ephialtes, 2019. Linocut 16 x 22 in, edition of 4, printed on Arnhem 1618. Excerpt “Otus and Ephialtes” by Anna Williams

Anna Williams

$850.00

Otus and Ephialtes, 2019. Linocut 16 x 22 in, edition of 4, printed on Arnhem 1618.
Excerpt “Otus and Ephialtes” by Anna Williams
Breaths catch
Blood pools
The brothers are consumed with a new hunger.
Practiced predators,
They split and flank.
Aim and launch.
From either side of the glade
The sing of spears cleaves the silence
Artemis leaps.
Reflected horror glints on polished blade
A mirrored death.

Printed on the artist's ingenious home-made printing press (made of a car jack, melamine and oak). Created for her upcoming solo exhibition Untold Stories I once Wished Lost at the Karsh-Masson Gallery (re-scheduled for 2021).

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Paper and ink drawing by Rachael Wong

Paper and ink drawing by Rachael Wong

Rachael Wong

$580.00

Pattern and Form 9, Paper and Ink, is a 3-d drawing with all markings made by hand. 9x9x1-5/8" or 14x14x3" (freefloating in a white frame)

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Le Dejeuner Sur L'Herbe 02, Lino Cut On Rag Paper. Series of 4. 39 x 29 cm 2019

Le Dejeuner Sur L'Herbe 02, Lino Cut On Rag Paper. Series of 4. 39 x 29 cm 2019

Anna Williams

$450.00

Le Dejeuner Sur L'Herbe II, Lino Cut On Rag Paper. Series of 4.

39 x 29 cm

2019

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Le Dejeuner Sur L'Herbe 01, Lino Cut On Rag Paper, 39 x 29 cm, 2019

Le Dejeuner Sur L'Herbe 01, Lino Cut On Rag Paper, 39 x 29 cm, 2019

Anna Williams

$450.00

Le Dejeuner Sur L'Herbe I, Lino Cut On Rag Paper. Series of 4.

39 x 29 cm

2019

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Still Life with Morells and Scapes, oil on panel, 20 x 16" by Megan Hinton.

Still Life with Morells and Scapes, oil on panel, 20 x 16" by Megan Hinton.

Megan Hinton

$1,600.00

Still Life with Morells and Scapes, oil on panel, 20 x 16"

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Michael Belmore

Michael Belmore

Michael Belmore

$2,150.00

Slow Burn, digital print on archival somerset.

27 x 20.5"

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Succulence, photograph by Michael Belmore

Michael Belmore

Succulence, photograph by Michael Belmore

Slow Burn, digital print on archival somerset by Michael Belmore.

Succulence, photograph by Michael Belmore

Slow Burn, digital print on archival somerset by Michael Belmore.

Michael Belmore

$2,150.00

Succulence, 2015, digital print on archival somerset, 24 3/4 x 20.5".

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Singe, digital print on archival somerset by Michael Belmore.

Michael Belmore

Singe, digital print on archival somerset by Michael Belmore.

Michael Belmore

$2,150.00

Singe, digital print on archival somerset.

27 x 20.5 "

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Reed Weir

$850.00

Two Hands Clapping, painting in casein and oil on birch panel under laser cut plexiglass and LED's.

This work is part of the Birds with Lights Series, 2018.

58 x 58 cm

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Hands with Lights are perfectly square. Each panel contains images of birds and hands. Within some the hands and birds become unified with the fingers of the human hand becoming wings. With this series of paintings I have added LED lights within the upper frame. This way the cut line of the plexi subtly becomes drawings of light that flit across the surface of the painting. These paintings while meant to be shown with the lights off have the potential and option to turn the piece into a carnival event. The reflections on the plexi and the changes of composition between the plexi surfaces and the revealed painting change when viewed from various angles creating a sculptural effect.

Reed Weir

$850.00

First Bird, painting in casein and oil on birch panel under laser cut plexiglass and LED's.

This work is part of the Birds with Lights Series, 2018.

58 x 58 cm

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Hands with Lights are perfectly square. Each panel contains images of birds and hands. Within some the hands and birds become unified with the fingers of the human hand becoming wings. With this series of paintings I have added LED lights within the upper frame. This way the cut line of the plexi subtly becomes drawings of light that flit across the surface of the painting. These paintings while meant to be shown with the lights off have the potential and option to turn the piece into a carnival event. The reflections on the plexi and the changes of composition between the plexi surfaces and the revealed painting change when viewed from various angles creating a sculptural effect.

Reed Weir

$850.00

Nest, painting in casein and oil on birch panel under laser cut plexiglass and LED's.

This work is part of the Birds with Lights Series, 2018.

58 x 58 cm

Click here for more work by this artist.

Hands with Lights are perfectly square. Each panel contains images of birds and hands. Within some the hands and birds become unified with the fingers of the human hand becoming wings. With this series of paintings I have added LED lights within the upper frame. This way the cut line of the plexi subtly becomes drawings of light that flit across the surface of the painting. These paintings while meant to be shown with the lights off have the potential and option to turn the piece into a carnival event. The reflections on the plexi and the changes of composition between the plexi surfaces and the revealed painting change when viewed from various angles creating a sculptural effect.

Bleu d'Or, or Blue Gold is a moment captured in a morning glimpse of the expanse of river in front of the artist's home studio. An oil on canvas, 48 h x 24"w.

Bleu d'Or, or Blue Gold is a moment captured in a morning glimpse of the expanse of river in front of the artist's home studio. An oil on canvas, 48 h x 24"w.

Erin Robertson

$3,800.00

Bleu d'Or, or Blue Gold is a moment captured in a morning glimpse of the expanse of river in front of the artist's home studio. An oil on canvas, 48 h x 24"w.

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Wintersleep is a morning glimpse of the river in front of the artist's home studio that reflects magnificently the opposite shore. An oil on canvas, 66 h x 48"w.

Wintersleep is a morning glimpse of the river in front of the artist's home studio that reflects magnificently the opposite shore. An oil on canvas, 66 h x 48"w.

Erin Robertson

$5,340.00

Wintersleep is a morning glimpse of the river in front of the artist's home studio that reflects magnificently the opposite shore. An oil on canvas, 66 h x 48"w.

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Reed Weir

$800.00

Wayfarer,

Casein and oil on birch panel

2020,

79 x 79 cm.

I am working with paint to create pieces that reflect the placement of contemporary culture within the continuum of time. Each piece is created in layers. Starting with the archaic practice of under painting with milk-based pigment that is over painted with oil. I set a project for myself: I determined to try to paint each canvas to hold qualities I associate with three masters; each piece I was aiming for 1/2 Rothko, 1/4 Leger and 1/4 Kokoshka.

Not copying them by any means but trying to evoke the spirit of the combination. The quiet introspection of Rothko, the design of Leger and the organics of Kokoshka. I could spend a lifetime trying to achieve any of the above but this is how I am framing this section.

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