Painting | Print | Photo

Erin Robertson

$2,600.00

Erin Robertson

$2,600.00

Papillon de Nuit

Oil on canvas

36 x 36"

Erin Robertson

$3,800.00

Erin Robertson

$3,800.00

Blue d'or

Oil on canvas

30 x 60"

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Balance, acrylic, oil, charcoal and pencil on a wooden panel. 12" x 16"

Maria Moldovan

$480.00

Maria Moldovan

$480.00

Balance, acrylic, oil, charcoal and pencil on a wooden panel.

12" x 16"

Click here to view more works from Maria Moldovan

Maria Moldovan

$580.00

Maria Moldovan

$580.00

Blue Bird, acrylic, oil, charcoal and pencil on a wooden panel.

20 x 16"

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Chrome & City. Woven paper sculpture in a custom white shadow box. 20 x 20"

I-Chun Jenkins

$1,600.00

I-Chun Jenkins

$1,600.00

Chrome & City. Hand cut and hand woven paper sculpture in a custom white shadow box. 20 x 20"

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Loose Ends. Woven paper sculpture in a custom white shadow box. 9 x 16"

I-Chun Jenkins

$970.00

I-Chun Jenkins

$970.00

Loose Ends. Woven paper sculpture in a custom white shadow box. 9 x 16"

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One Spade. Woven paper sculpture in a custom white shadow box. 9 x 16"

I-Chun Jenkins

$970.00

I-Chun Jenkins

$970.00

One Spade. Woven paper sculpture in a custom white shadow box. 9 x 16"

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Lisa Creskey

$1,800.00

Lisa Creskey

$1,800.00

Tingmiatornis arctica - Lilac and Smoke

Acrylic on canvas

H50 x L40 cm

2021

The rapid thawing of the arctic is revealing many new archeological finds. This work reflects upon the recently discovered prehistoric toothed arctic bird Tingmiatornis arctica which resembled a cormorant and was alive during the Cretaceous Period when the arctic had a semi-tropical climate.

In this work, we are presented at first-glance with an atmospheric scene of cormorants nest-building, bathing and flying. Smoke rising from the water and the hills make us think of mist or a forest fire; this leads us to notice the teeth of the birds and transports us back 90 million years to a time when Tingmiatornis arctica flew over the semi-tropical arctic waters and mountains, which could erupt at any moment.

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Maria Moldovan

$1,250.00

Maria Moldovan

$1,250.00

Guarding creature. Oil on canvas painting with a white surround frame and measures 36 by 24 in

Francis Densmore and Maheengun (Little Wolf) (2020) mixed media on paper 23 x 9.5 cm, unframed.

$450.00

Barry Ace

$450.00

Francis Densmore and Maheengun (Little Wolf) (2020) mixed media on paper 23 x 9.5 cm, unframed.

Frances Theresa Densmore (1867 – 1957) was an American anthropologist and ethnographer who was known for her studies of Native american music and culture.

Tekahionwake (Pauline E. Johnson) (2020) mixed media on paper 18 x 13 cm.

$450.00

Barry Ace

$450.00

Tekahionwake (Pauline E. Johnson) (2020) mixed media on paper 18 x 13 cm, unframed.

Emily Pauline Johnson (1861–1913), also known by her Mohawk stage name Tekahionwake ("Double-Life") was popular in the late 19th and early 20th centuries as a poet, author, and performer.

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Red-Winged Blackbird, painted woodcut block 9” x 11.5”

Lisa Brawn

$550.00

Lisa Brawn

$550.00

Red-Winged Blackbird, painted woodcut block

9” x 11.5” x 1.5" deep

from $1,200.00

Barry Ace

$2,200.00

The work is printed on archival Epson Canvas with a simulated birch bark background digitally added from a birchbark scan. The work references Anishinaabe birchbark scrolls that are etched iconography stitched together with spruce root.

Bnesi (Thunderbird) and Mishibijw (Water Panther) (2020) digital output on archival canvas, glass beads, thread, hide, metal, wood. The photographs and taken on Manitoulin Island. The birch bark references Anishinaabe scrolls and the Thunderbird is a sacred bird symbolizing protection.

The Mishibijiw (Water Panther) is a water being who controls water - the waves are visible on its back.

This work is available as a diptych or as individual works.

Diptych dimensions: 81 x 38 cm.

As individual works:

Bnesi (Thunderbird) (2020) digital output on archival canvas, glass beads, thread, hide, metal, wood. 41 x 19 cm

Mishibijw (Water Panther) (2020) digital output on archival canvas, glass beads, thread, hide, metal, wood. 41 x 19 cm

from $2,000.00

Barry Ace

$2,400.00

Kitchi Zibi Omàmìwininì Anishinàbe

Digital print on rag paper

This photograph was taken by Ace in 2013 of the controversial Hamilton MacCarthy sculpture of the Indigenous scout that was relocated to Major's Hill Park from its original location as part of the Champlain Monument situated on Nepean Point directly behind the National Gallery of Canada. In the background is Iluliaq (Iceberg) by Greenlandic artist Inuk Silis Høegh looming in the background, and it is artfully framed by Ottawa's Central Art Garage.

21 × 34 in

Editions 1, 2 of 2

Anna Williams

$850.00

Anna Williams

$850.00

Otus and Ephialtes, 2019. Linocut 16 x 22 in, edition of 4, printed on Arnhem 1618.
Excerpt “Otus and Ephialtes” by Anna Williams
Breaths catch
Blood pools
The brothers are consumed with a new hunger.
Practiced predators,
They split and flank.
Aim and launch.
From either side of the glade
The sing of spears cleaves the silence
Artemis leaps.
Reflected horror glints on polished blade
A mirrored death.

Printed on the artist's ingenious home-made printing press (made of a car jack, melamine and oak). Created for her upcoming solo exhibition Untold Stories I once Wished Lost at the Karsh-Masson Gallery (re-scheduled for 2021).

An Untamed Bond, Part 2 of 5 of The Allegory of Atalanta, linocut, 2020. Edition of 6, printed on Arnhem 1618, 16 x 22 inches. When Atalanta was born, her father had hoped for a boy and so he left her on a mountainside to die of exposure as was the practice with unwanted girls or disabled children. Artemis, in the form of a shebear, found her and suckled her. She was raised as one of Artemis’ huntresses.

Anna Williams

$850.00

Anna Williams

$850.00

An Untamed Bond, Part 2 of 5 of The Allegory of Atalanta, linocut, 2020. Edition of 6, printed on Arnhem 1618, 16 x 22 inches.

When Atalanta was born, her father had hoped for a boy and so he left her on a mountainside to die of exposure as was the practice with unwanted girls or disabled children. Artemis, in the form of a shebear, found her and suckled her. She was raised as one of Artemis’ huntresses.

Printed on the artist's ingenious home-made printing press (made of a car jack, melamine and oak). Created for her upcoming solo exhibition Untold Stories I once Wished Lost at the Karsh-Masson Gallery (re-scheduled for 2021).

Anna Jane McIntyre

$350.00

Anna Jane McIntyre

$350.00

This print is a part of McIntyre's series, Familiar, a tale about a nervous witch who goes on an adventure as told in an analogue Instagram feed. All the prints in the series are unique 1/1 editions.

Print 11: The intense disappearing into remembering was beginning to make the witch feel weird.

“Move.” said the witch's body.

The witch put her cards down and stood up.

The light was starting to change.

It was twilight.

The clouds shimmered silver and gold in the setting sun.

The witch walked along the edge of her beloved forest.

“Everything okey dokey?” asked the ginormous disembodied clown face.

Cut paper printing, stencil printing monoprint, gouache, gold and silver leaf, chine collé

12 x 12 inches

2019

Anna Jane McIntyre

$350.00

Anna Jane McIntyre

$350.00

This print is a part of McIntyre's series, Familiar, a tale about a nervous witch who goes on an adventure as told in an analogue Instagram feed. All the prints in the series are unique 1/1 editions.

Print 5: The witch looked up.
The ginormous disembodied clown face was peering at her from behind 6 cards.
“Hey! It’s 4 cards each!”
“I’m not good with rules.”, said the face, “Shall we begin?”
The witch laughed.

The face reminded her of someone but she couldn’t quite remember who...

Cut paper printing, stencil printing monoprint, gouache

12 x 12 inches

2019

Anna Jane McIntyre

$350.00

Anna Jane McIntyre

$350.00

This print is a part of McIntyre's series, Familiar, a tale about a nervous witch who goes on an adventure as told in an analogue Instagram feed. All the prints in the series are unique 1/1 editions.

Print 3: Gaaaaah!!! screamed the witch and dove behind a pair of rare orange hibiscus bushes for cover.
It seemed her parasympathetic run away and freeze response had gotten the better of her.
“Don’t worry, “ said the ginormous disembodied clown face with a cheerful kind tone.
“I’ve been vegetarian for years! Hahahahahaha”

Cut paper printing, stencil printing monoprint

11 x 11 inches

2019